The original post can be found here on It's Raining Books
Why do you write in your genre? What draws you to it?
I absolutely love mysteries. Readers of mystery generally fall into two categories – seekers and solvers. Seekers are reading the book for entertainment, just along for the ride and not really trying to find the killer or solve the puzzle before the end of the book. Solvers, however, are determined to solve the mystery before the end of the book. The sooner the better. As a mystery reader, I am a bigtime solver. I even tag pages with different colored stickers where I think there is a pertinent clue or twist I might want to return to as I work to solve the mystery. And this is why I write cozy mysteries the way I do, because they provide an entertainment value that allows the seeker to chuckle (and at times, laugh out loud) and let the story carry them along, yet also provides the solver with a complex plot that can be solved if they pay attention along the way. The clues are there, just not always obvious.
What research (or world-building – for fantasy/paranormal/Sci-fi) is required?
I research everything, and I mean, everything. No detail is too small. For example, in my second book, Fire and Ice, I even researched pre-1600s Atlantic hurricane seasons. I do this because I never want someone coming up to me or leaving a comment that something I wrote isn’t correct or possible or remotely feasible. That is my biggest fear every time one of my books is released. So, in the very early stages of the plotting process, I create a “Research” folder to hold all the articles, photos, maps, and similar that I come across as I build out the plot in a document I call my “blueprint.” Some of this research never makes it into the plot or ends up just being background info, and some of it forms the very basic building blocks of the plot. I spend weeks and weeks researching as I lay out the story. For Lucky Secrets, my research folder holds 169MB of data (97 files) plus a second folder with 60MB of photos I used to help visualize the various rooms and spaces of the El Sueño estate where the story is set. For Fire and Ice, the research folder holds 396MB of data (I had a TON of planning to do for this story – read the book and you’ll understand – I can’t say why without giving some things away.)
Name one thing you learned from your hero/heroine.
Trust your instincts and believe in yourself.
Do you have any odd or interesting writing quirks, habits or superstitions?
I play music on a CD player when I’m working. When the music stops, I pick up the remote and hit play. Again. And again. And… Yep, I’ll play the same CD for days and usually weeks at a time. The only time I switch out CDs is when a particular song starts playing in my head away from the office, or if I’m no longer as productive with that CD. Then I’ll switch it out and start all over. In fact, today I finally switched out Jet’s Rare Tracks for Eric Clapton’s Unplugged. I played the Jets CD for easily a month. I suspect I’ll switch Clapton on sometime in August. I’ve already hit the play button twice while responding to these questions.
Are you a plotter or pantser?
I’m a hardcore plotter. I began as a pantser, but after too many dead ends, I switched to detailed plotting. My process starts with weeks of brainstorming and research—sometimes months—then I create my detailed “blueprint” with plot points, subplots, characters, and turning points mapped out to the percentage. I also build a chapter layout and calendar timeline. The blueprint can run 50 pages before I write a single word of the manuscript. Once the structure is in place, I write quickly—sometimes up to 3,500 words a day.
Look to your right – what’s sitting there?
One of my two white boards on the wall. Beneath it is a desk return connecting my corner computer table with the desk (it is a red-maple desk unit that spans two walls and also includes a credenza). On the return is a Mac laptop (I write on an all-in-one desktop on the corner computer table).
Anything new coming up from you? What?
I have several projects under different stages of development. One is a YA book for boys that an agent has expressed an interest in if I write a compelling story. Another is me spinning off my favorite character in the Mauzzy & Me Mystery Series, Mrs. Majelski, into her own mystery series. She’s a blast to write. Think of Elizabeth in Richard Osman’s The Thursday Murder Club series, and then amp up her energy level. That’s Mrs. M. I’m also working on Sara’s next adventure, which will have her hanging out a shingle as a private investigator and opening a whole new world of fun, laughs, and mysteries!
Do you have a question for our readers?
I have too many to ask. What makes for a compelling mystery? Does there have to be a body? Can there be too much description of a scene (building, room, space) or a character in a mystery? What’s more important – great writing or a great plot?